Xhun RawPrime

Physical modeling simulation of hybrid digital/analogue hardware, achieved by the adoption of the Advanced Component Simulation (ACS) approach - oscillators, filters, envelopes (,...) are built preserving their original architecture, featuring all the micro-instabilities and imperfections of the analogue technology

Full 64-bit processing accuracy for every single aspect of the simulation

An all-in-one complete setup : polyphonic hybrid digital/analogue synthesizer with built-in arpeggiator + analogue and digital insert/master effects

Four-voice polyphonic (voice component modeling) - working as monophonic as well, including an optional unison mode

Featuring a vintage polyphony management method, with first-voice re-assign (instead of round-robin)

A compact real-world replicable device, established on a 100% original synthesis method

A 100% original sound oscillator built from modeled lo-fi, late-1970s / first-1980s telecommunications-class NCO and DAC components, producing overtones out of expressly generated aliasing signals

Separate controls for overtones generation, morphing and blending

Expressive 2-pole resonant low-pass diode-ladder analogue filter (modeled after real hardware by the adoption of the topology-preserving transform / zero-delay feedback approach) with a very specific, uncommon design

Additional 1-pole non-resonant high-pass analogue filter (modeled after real hardware by the adoption of the topology-preserving transform / zero-delay feedback approach)

Three analogue envelope generators (two are freely assignable, one is hard-wired to the analogue amplifier) with a steep attack curve (0.3 ms) modeled after the Curtis CEM3310 proving the same capacitors' charging/discharging responses as found on the original analogue circuits

Two freely assignable digital sinusoidal LFOs (frequency from 0.02 Hz up to 30 Hz)

Featuring a full modulation matrix, allowing for easy and clear source-destination assignments

A built-in creative multi-mode polyphonic arpeggiator based on note-priority

Including an insert effect slot with the possibility to choose :

• CHOR-S unit (rack), an expressive stereo chorus effect

• FLANG-R unit (rack), an expressive stereo flanger effect

• X-TREME unit (rack), an accurately modeled, ground-shaking tube distortion effect

• SOLIDA unit (rack), an accurately modeled, rock-solid transistor distortion effect

• PHEEBEE unit (rack), an expressive digital foldback distortion effect

• CRUSH-R unit (rack), a creative digital bitcrusher effect

Including a master effect slot with the possibility to choose :

• D-LAY unit (rack), a tempo-synced stereo delay effect

• REEVERB unit (rack), a resonator-based electronic reverb effect

Including 150+ ready-to-use factory presets collection covering multi-genre styles

Single-view interface, vintage microcomputer-styled synth panel

MIDI automation

Support for sample rates from 44.1 kHz up to 192 kHz

Available in multi-size GUI resolutions