{"title":"Soundtoys - Radiator 5","description":null,"products":[{"product_id":"eu-soundtoys-radiator-5","title":"Radiator 5","description":"\u003ch4 style=\"text-align: justify;\"\u003eFeatures\u003c\/h4\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eRadiator\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eIntroducing Radiator, a dual drive tube input channel and EQ, based on the classic Altec 1567A tube mixer from the 1960s.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eThe original Altec 1567A hardware was a rack-mounted five-input tube mixer with removable transformers, a simple two-knob EQ, an unmistakable green faceplate, and a whopping 97 dB of gain. The sound, by today’s standards, is colored and gritty, with a heaping helping of good old fashioned hardware noise. In its day, it was used on many early Motown hits, and found its way into the PA racks of countless churches and school auditoriums across the USA.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eA Bit of History\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eThe unmistakable green-faced Altec gear, and in particular the 1566A and 1567A, played a big part in shaping the early “sound” of Motown between 1961 to 1964. Songs by greats like The Four Tops, The Marvelettes and The Supremes went through a 1567A mixer to the massive three track recorder. Ahhh, when life was simple.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cimg class=\"aligncenter wp-image-2920 size-full\" src=\"https:\/\/pluginsmasters.com\/wp-content\/uploads\/2022\/03\/1567_front-scaled.jpg\" alt=\"Soundtoys Radiator pluginsmasters\" width=\"2560\" height=\"1084\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eThese mic preamps and mixers have a very colored warm sound and are very loud. The EQ is as simple as it gets, with one knob for bass, and another for treble. After Motown, and after much gear came and went, analog diehards began seeking out the 1566A and 1567A as inexpensive sources for real tube sound.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eMotown Records Chief Enginner, \u003cspan class=\"contentstandout\"\u003eRuss Terrana (shown here)\u003c\/span\u003e, used the 1567A extensively and it became part of the distinctive Motown sound. Producer Matt Wallace was a very big fan. Butch Vig and Billy Bush are also fans.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eSoundToys Radiator brings the classic Altec tube sound to desktop recording rigs, capturing the distinctive warmth and punch of the original hardware. Featuring the modeled bass and treble tone controls from the original unit, a mix control for easy parallel processing, and the saturation and harmonic effects of the original hardware’s input and output amplifiers.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eAll of these different circuit elements interact, allowing a wide range of tones to be created with just a few simple knobs. Plus you can decide if the original noise is on or off.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eOver the past few years the Altec mixers have been picked up by recording studios as an inexpensive way to bring analog color and character to computer based digital recording. With producers like Matt Wallace of early Maroon 5 fame utilizing the 1567A on their early hits, and now bands like the Black Keys (who had a custom console made from Altec 1567A’s) the demand, and price, for these funky little color boxes have soared.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eComputer recordists everywhere can now get the Altec tube sound – on every input channel, without the hassles of interfacing to esoteric analog gear, and at a much lower cost.\u003c\/p\u003e\n\n\u003ch4 style=\"text-align: justify;\"\u003eHighlights\u003c\/h4\u003e\n\u003cp style=\"text-align: justify;\"\u003eAnalog modeled tube mixer with EQ\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eIndependent input and output amplification stages each add their own character\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eBring the sound of a Motown era classic to your DAW\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eLoad the transformers two different ways with the Mic\/Line switch for different sounds\u003c\/p\u003e\n\u003ch4\u003eSystem Requirements\u003c\/h4\u003e\n\u003cstrong\u003eOperating Systems:\u003c\/strong\u003e\n\u003cul\u003e\n \t\u003cli\u003eWindows 7, 8, 10\u003cstrong\u003e (64-bit only)\u003c\/strong\u003e\n\u003c\/li\u003e\n \t\u003cli\u003emacOS 10.10 Yosemite - macOS 11 Big Sur \u003cstrong\u003e(*Intel only, official support for Apple Silicon M1 is in progress) (64-bit only)\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003ePlugin Formats:\u003c\/strong\u003e\n\u003cul\u003e\n \t\u003cli\u003e\u003cstrong\u003eCurrent Version: 5.3.6\u003c\/strong\u003e\u003c\/li\u003e\n \t\u003cli\u003eVST\u003c\/li\u003e\n \t\u003cli\u003eAudio Units (AU, Mac only)\u003c\/li\u003e\n \t\u003cli\u003eAAX Native\u003c\/li\u003e\n \t\u003cli\u003eAAX AudioSuite\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eSupported Sample Rates:\u003c\/strong\u003e\n\u003cul\u003e\n \t\u003cli\u003eMinimum: 44.1 kHz, Maximum: 192 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eImportant Notes:\u003c\/strong\u003e\n\u003cul\u003e\n \t\u003cli\u003e\u003cstrong\u003eA FREE account at ilok.com is required (a physical USB iLok is not required)\u003c\/strong\u003e\u003c\/li\u003e\n \t\u003cli\u003e\u003cstrong\u003eThis software is 64-bit only and is not compatible with 32-bit systems.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eOfficially Supported Host Applications:\u003c\/strong\u003e\n\nAll version 5 Soundtoys products come in 64-bit VST, AU and AAX Native plug-in formats. Here is a list of our officially supported host applications.\n\u003cul\u003e\n \t\u003cli\u003ePro Tools 11 - 2021.7 (Mac \u0026amp; PC: AAX Native and AudioSuite)\u003c\/li\u003e\n \t\u003cli\u003eLogic Pro X - 10.7* (Mac: AU)\u003c\/li\u003e\n \t\u003cli\u003eGarageBand 10 (Mac: AU)\u003c\/li\u003e\n \t\u003cli\u003eAbleton Live 9.2.2 - 11 (Mac: AU \u0026amp; VST; Windows: VST)\u003c\/li\u003e\n \t\u003cli\u003eDigital Performer 9 - 10 (Mac: AU \u0026amp; VST; Windows: VST)\u003c\/li\u003e\n \t\u003cli\u003eStudio One 4.5+ (Mac: AU \u0026amp; VST; Windows: VST)\u003c\/li\u003e\n \t\u003cli\u003eCubase 9.5 - 11  (Mac \u0026amp; PC: VST)\u003c\/li\u003e\n \t\u003cli\u003eNuendo 8 - 11 (Mac \u0026amp; PC: VST)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SoundToys","offers":[{"title":"Default Title","offer_id":53995882053961,"sku":"EU-1043-33","price":99.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0818\/2385\/9017\/files\/1043-33.webp?v=1772969669"},{"product_id":"us-soundtoys-radiator-5","title":"Radiator 5","description":"\u003ch4 style=\"text-align: justify;\"\u003eFeatures\u003c\/h4\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eRadiator\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eIntroducing Radiator, a dual drive tube input channel and EQ, based on the classic Altec 1567A tube mixer from the 1960s.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eThe original Altec 1567A hardware was a rack-mounted five-input tube mixer with removable transformers, a simple two-knob EQ, an unmistakable green faceplate, and a whopping 97 dB of gain. The sound, by today’s standards, is colored and gritty, with a heaping helping of good old fashioned hardware noise. In its day, it was used on many early Motown hits, and found its way into the PA racks of countless churches and school auditoriums across the USA.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eA Bit of History\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eThe unmistakable green-faced Altec gear, and in particular the 1566A and 1567A, played a big part in shaping the early “sound” of Motown between 1961 to 1964. Songs by greats like The Four Tops, The Marvelettes and The Supremes went through a 1567A mixer to the massive three track recorder. Ahhh, when life was simple.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cimg class=\"aligncenter wp-image-2920 size-full\" src=\"https:\/\/pluginsmasters.com\/wp-content\/uploads\/2022\/03\/1567_front-scaled.jpg\" alt=\"Soundtoys Radiator pluginsmasters\" width=\"2560\" height=\"1084\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eThese mic preamps and mixers have a very colored warm sound and are very loud. The EQ is as simple as it gets, with one knob for bass, and another for treble. After Motown, and after much gear came and went, analog diehards began seeking out the 1566A and 1567A as inexpensive sources for real tube sound.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eMotown Records Chief Enginner, \u003cspan class=\"contentstandout\"\u003eRuss Terrana (shown here)\u003c\/span\u003e, used the 1567A extensively and it became part of the distinctive Motown sound. Producer Matt Wallace was a very big fan. Butch Vig and Billy Bush are also fans.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eSoundToys Radiator brings the classic Altec tube sound to desktop recording rigs, capturing the distinctive warmth and punch of the original hardware. Featuring the modeled bass and treble tone controls from the original unit, a mix control for easy parallel processing, and the saturation and harmonic effects of the original hardware’s input and output amplifiers.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eAll of these different circuit elements interact, allowing a wide range of tones to be created with just a few simple knobs. Plus you can decide if the original noise is on or off.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eOver the past few years the Altec mixers have been picked up by recording studios as an inexpensive way to bring analog color and character to computer based digital recording. With producers like Matt Wallace of early Maroon 5 fame utilizing the 1567A on their early hits, and now bands like the Black Keys (who had a custom console made from Altec 1567A’s) the demand, and price, for these funky little color boxes have soared.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eComputer recordists everywhere can now get the Altec tube sound – on every input channel, without the hassles of interfacing to esoteric analog gear, and at a much lower cost.\u003c\/p\u003e\n\n\u003ch4 style=\"text-align: justify;\"\u003eHighlights\u003c\/h4\u003e\n\u003cp style=\"text-align: justify;\"\u003eAnalog modeled tube mixer with EQ\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eIndependent input and output amplification stages each add their own character\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eBring the sound of a Motown era classic to your DAW\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eLoad the transformers two different ways with the Mic\/Line switch for different sounds\u003c\/p\u003e\n\u003ch4\u003eSystem Requirements\u003c\/h4\u003e\n\u003cstrong\u003eOperating Systems:\u003c\/strong\u003e\n\u003cul\u003e\n \t\u003cli\u003eWindows 7, 8, 10\u003cstrong\u003e (64-bit only)\u003c\/strong\u003e\n\u003c\/li\u003e\n \t\u003cli\u003emacOS 10.10 Yosemite - macOS 11 Big Sur \u003cstrong\u003e(*Intel only, official support for Apple Silicon M1 is in progress) (64-bit only)\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003ePlugin Formats:\u003c\/strong\u003e\n\u003cul\u003e\n \t\u003cli\u003e\u003cstrong\u003eCurrent Version: 5.3.6\u003c\/strong\u003e\u003c\/li\u003e\n \t\u003cli\u003eVST\u003c\/li\u003e\n \t\u003cli\u003eAudio Units (AU, Mac only)\u003c\/li\u003e\n \t\u003cli\u003eAAX Native\u003c\/li\u003e\n \t\u003cli\u003eAAX AudioSuite\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eSupported Sample Rates:\u003c\/strong\u003e\n\u003cul\u003e\n \t\u003cli\u003eMinimum: 44.1 kHz, Maximum: 192 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eImportant Notes:\u003c\/strong\u003e\n\u003cul\u003e\n \t\u003cli\u003e\u003cstrong\u003eA FREE account at ilok.com is required (a physical USB iLok is not required)\u003c\/strong\u003e\u003c\/li\u003e\n \t\u003cli\u003e\u003cstrong\u003eThis software is 64-bit only and is not compatible with 32-bit systems.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eOfficially Supported Host Applications:\u003c\/strong\u003e\n\nAll version 5 Soundtoys products come in 64-bit VST, AU and AAX Native plug-in formats. Here is a list of our officially supported host applications.\n\u003cul\u003e\n \t\u003cli\u003ePro Tools 11 - 2021.7 (Mac \u0026amp; PC: AAX Native and AudioSuite)\u003c\/li\u003e\n \t\u003cli\u003eLogic Pro X - 10.7* (Mac: AU)\u003c\/li\u003e\n \t\u003cli\u003eGarageBand 10 (Mac: AU)\u003c\/li\u003e\n \t\u003cli\u003eAbleton Live 9.2.2 - 11 (Mac: AU \u0026amp; VST; Windows: VST)\u003c\/li\u003e\n \t\u003cli\u003eDigital Performer 9 - 10 (Mac: AU \u0026amp; VST; Windows: VST)\u003c\/li\u003e\n \t\u003cli\u003eStudio One 4.5+ (Mac: AU \u0026amp; VST; Windows: VST)\u003c\/li\u003e\n \t\u003cli\u003eCubase 9.5 - 11  (Mac \u0026amp; PC: VST)\u003c\/li\u003e\n \t\u003cli\u003eNuendo 8 - 11 (Mac \u0026amp; PC: VST)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SoundToys","offers":[{"title":"Default Title","offer_id":53995925045577,"sku":"US-1043-33","price":99.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0818\/2385\/9017\/files\/1043-33_ab98b8fa-d2f7-407a-b9c7-0bbaf3458516.webp?v=1772969763"}],"url":"https:\/\/pluginsmasters.com\/collections\/soundtoys-radiator-5.oembed","provider":"PluginsMasters","version":"1.0","type":"link"}