{"title":"EastWest Sounds - Fab Four","description":null,"products":[{"product_id":"eu-eastwest-sounds-fab-four","title":"FAB FOUR","description":"FAB FOUR is a virtual instrument inspired by the sounds of the Beatles, using the same kind of period instruments \u0026amp; authentic rare EMI recording equipment the Beatles used to create their music.\nFAB FOUR sound engineer KEN SCOTT worked on five Beatles albums, including \"A Hard Days Night\", \"Help\", \"Rubber Soul\", \"Magical Mystery Tour\" (engineer) \u0026amp; \"The Beatles\" (engineer) - also known as the \"White Album\". Drummer DENNY SEIWELL Guitarist LAURENCE JUBER were both members of Paul McCartney \u0026amp; Wings.\n\"The Beatles had a profound impact on me, as they did for millions of others\" said FAB FOUR producer DOUG ROGERS, \"they were the initial influence for my fascination with sounds. They were creative geniuses that never rested on their laurels, always producing exciting new music \u0026amp; sounds with each new record, much of it ground-breaking! Putting this project together took well over a year of research, equipment procurement (much of it from collectors) \u0026amp; putting together a team that could pull off such a feat; but it was a labor of love for us all, we feel the result is truly worth it.\"\nNo expense was spared finding the same kind of period instruments \u0026amp; rare authentic EMI \u0026amp; other recording equipment the Beatles used to create their sounds to produce this collection, much of which, ironically, will end up in EASTWEST Studios, where the Beach Boys \"Pet Sounds\" was recorded, the inspiration for the Beatles \"Sgt. Pepper`s Lonely Hearts Club Band\" album, according to Paul McCartney.\nWell over a million dollars worth of instruments, amplifiers, microphones, recording desks (including very rare EMI REDD tube TG12345 desks), outboard equipment (including Fairchild limiters \u0026amp; EMI RS124 modified Altec compressors) \u0026amp; Studer J-37 tube multi-tracks were used in this production. If you are a film\/tv\/game composer, a musician\/producer looking for sounds not found in other collections, this is it. Blending these unique sometimes bizarre sounds with today`s music should enable you to produce something truly fab!\nI\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n \t\u003cli\u003eProduced by DOUG ROGERS\u003c\/li\u003e\n \t\u003cli\u003eEngineered by KEN SCOTT (Beatles\/David Bowie\/Elton John\/Supertramp etc.)\u003c\/li\u003e\n \t\u003cli\u003eIncludes authentic rare period guitars (acoustic and electric), basses, drums, keyboards, stringed and other misc instruments\u003c\/li\u003e\n \t\u003cli\u003eThe same kind of microphones were used to record all instruments (Neumann\/AKG\/Cole\/STC)\u003c\/li\u003e\n \t\u003cli\u003eThe same kind of period amplifiers - Fender Tan Showman (1963), Fender Bassman (1963), Vox AC30 (1963), Vox AC50 (1965), Vox Defiant (1966), Vox 730 (1966), Vox 7120 (1966), Fender Showman (1967), Fender DeLuxe (1967) - were used with the electric guitars\u003c\/li\u003e\n \t\u003cli\u003eThe same kind of recording desks and preamps, including a very rare EMI REDD tube desk, EMI TG12345 desk (the same kind of desk used to record \"Abbey Road\" and Pink Floyd's \"Dark Side of the Moon\"), and EMI REDD47 preamps, were used to record all instruments\u003c\/li\u003e\n \t\u003cli\u003eThe same kind of limiters (Fairchild) and compressors (rare EMI RS124 modified Altec) were used for dynamics control\u003c\/li\u003e\n \t\u003cli\u003eThe same kind of Studer J-37 tube 4-track was used to record everything\u003c\/li\u003e\n \t\u003cli\u003eGuitars (some costing over $200,000 each) played by LAURENCE JUBER (Paul McCartney and Wings) include Gretsch Firebird (1959), Gretsch Tennessean (1963), Rickenbacker 360-12 (1965), Martin D-28 (1966), Fender Stratocaster (1956), Epiphone Casino (1965), Fender Telecaster (1951), Gibson SG (1960), Les Paul Goldtop (1957), Gibson J200 (1966), Hofner 500 Bass (1963) and Rickenbacker 4001S Bass (1964).\u003c\/li\u003e\n \t\u003cli\u003eGuitars were sampled with up and down strokes, multiple velocities and picking styles, some with chords and effects\u003c\/li\u003e\n \t\u003cli\u003eMost of the sounds would be impossible to create without all of the above equipment. For example, the \"revostortion\" guitar sound was created by feeding a Epiphone Casino guitar into one EMI REDD 47 preamp, and the output into a second EMI REDD 47 preamp, which is exactly how it was created originally by the EMI\/Abbey Road engineers\u003c\/li\u003e\n \t\u003cli\u003eDrums played by DENNY SEIWELL (Paul McCartney and Wings) include a rare 1960 Ludwig downbeat kit with Zildjian cymbals (snare 5 x 14\/toms 9 x 13\/16 x 16\/kick 22 x 14\/zildjan 20\" crash ride\/18\" crash medium\/14\" Hi-Hat)\u003c\/li\u003e\n \t\u003cli\u003eDrums are all multi-sampled with up to 16 velocity layers, left and right hand. The sounds were all matched to a particular style (e.g. A Day in the Drums, Ticket to Drums, Yer Drums). We even recorded some heavily modulated cymbals through a Fairchild limiter for authenticity\u003c\/li\u003e\n \t\u003cli\u003eKeyboards include Baldwin Electric Harpsichord (Because I'm a Harpsichord), Clavioline (Baby I'm a Clavioline), Lucy in the Lowery, Strawberry Flutes, We Can Work a Harmonium, and other stringed instruments including Swarmandel Forever\u003c\/li\u003e\n \t\u003cli\u003eFAB FOUR includes a software version of ADT (artificial double tracking) with built-in tape simulator, created and programmed specially for this project. The software includes the smoothest filters you'll ever hear, delay, and multiple high quality reverb choices.\u003c\/li\u003e\n\u003c\/ul\u003e\n \n\u003ch2\u003eVideo\u003c\/h2\u003e\n[embed]https:\/\/www.youtube.com\/watch?v=aUrkaPOzTsc[\/embed]\n\u003ch2\u003eSystem Requirements for Eastwest FAB FOUR\u003c\/h2\u003e\nBelow are the minimum and recommended hardware and software specifications for using Opus on Windows and MacOS systems.\n\u003ctable id=\"system-requirements\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp class=\"title\"\u003e\u003cstrong\u003eMINIMUM SYSTEM\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul class=\"bulleted\"\u003e\n \t\u003cli\u003eCPU: Quad-core (four cores), running at 2.7 GHz (or above)\u003c\/li\u003e\n \t\u003cli\u003eRAM: 16 GB\u003c\/li\u003e\n \t\u003cli\u003eOS: macOS 10.13 (or later); Windows 10 with ASIO sound drivers\u003c\/li\u003e\n \t\u003cli\u003eDrive: HDD (7200 rpm, non-energy saving)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp class=\"title\"\u003e\u003cstrong\u003eRECOMMENDED SYSTEM\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul class=\"bulleted\"\u003e\n \t\u003cli\u003eCPU: Octa-core (eight cores), running at 2.7 GHz (or above)\u003c\/li\u003e\n \t\u003cli\u003eRAM: 32 GB or more\u003c\/li\u003e\n \t\u003cli\u003eOS: macOS 10.13 (or later); Windows 10 with ASIO sound drivers\u003c\/li\u003e\n \t\u003cli\u003eDrive: SSD (SATA or PCIe)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\nThe chart below outlines the MacOS and Windows 64-bit operating systems and sequencers that are officially supported and fully tested with the latest version of Opus. Please note that while most Sequencers \/ DAWs are VST 2, VST 3, AU and AAX plug-in format compatible, only those listed in the chart below are officially supported.\n\u003ctable class=\"tableify\" cellspacing=\"0\" cellpadding=\"10\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"table-chart-heading\"\u003e\n\u003cth\u003eProduct\u003c\/th\u003e\n\u003cth width=\"20%\"\u003eVersion\u003c\/th\u003e\n\u003cth width=\"20%\"\u003eMacOS (10.13+)\u003c\/th\u003e\n\u003cth width=\"20%\"\u003eWindows 10\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"host-row-even\"\u003e\n\u003ctd class=\"host\"\u003eEW Play 6 Stand-Alone\u003c\/td\u003e\n\u003ctd\u003e6.0+\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"host-row-odd\"\u003e\n\u003ctd class=\"host\"\u003eEW Opus Stand-Alone\u003c\/td\u003e\n\u003ctd\u003e1.0+\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"host-row-even\"\u003e\n\u003ctd class=\"host\"\u003eAbleton Live\u003c\/td\u003e\n\u003ctd\u003e10.0+\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"host-row-odd\"\u003e\n\u003ctd class=\"host\"\u003eApple Logic Pro\u003c\/td\u003e\n\u003ctd\u003e10.0+\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003ctd\u003e-\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"host-row-even\"\u003e\n\u003ctd class=\"host\"\u003eApple Garageband\u003c\/td\u003e\n\u003ctd\u003e10.3+\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003ctd\u003e-\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"host-row-odd\"\u003e\n\u003ctd class=\"host\"\u003eAvid Pro Tools\u003c\/td\u003e\n\u003ctd\u003e2018.1+\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"host-row-even\"\u003e\n\u003ctd class=\"host\"\u003eBitwig Studio\u003c\/td\u003e\n\u003ctd\u003e3.0+\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"host-row-odd\"\u003e\n\u003ctd class=\"host\"\u003eCockos Reaper\u003c\/td\u003e\n\u003ctd\u003e6.0+\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"host-row-even\"\u003e\n\u003ctd class=\"host\"\u003eImage-Line FL Studio\u003c\/td\u003e\n\u003ctd\u003e20+\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"host-row-odd\"\u003e\n\u003ctd class=\"host\"\u003eMotu Digital Performer\u003c\/td\u003e\n\u003ctd\u003e9.0+\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"host-row-even\"\u003e\n\u003ctd class=\"host\"\u003eSteinberg Cubase\u003cspan class=\"note-index\"\u003e(1)\u003c\/span\u003e\n\u003c\/td\u003e\n\u003ctd\u003e9.0+\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"host-row-even\"\u003e\n\u003ctd class=\"host\"\u003eSteinberg Nuendo\u003cspan class=\"note-index\"\u003e(1)\u003c\/span\u003e\n\u003c\/td\u003e\n\u003ctd\u003e8.0+\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"host-row-odd\"\u003e\n\u003ctd class=\"host\"\u003ePresonus Studio One\u003c\/td\u003e\n\u003ctd\u003e4.0+\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"host-row-even\"\u003e\n\u003ctd class=\"host\"\u003eVSL Vienna Ensemble Pro\u003c\/td\u003e\n\u003ctd\u003e6.0+\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable class=\"tableify\" cellspacing=\"0\" cellpadding=\"10\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"table-chart-heading\"\u003e\n\u003cth\u003eNotation Software\u003cspan class=\"note-index\"\u003e(2)\u003c\/span\u003e\n\u003c\/th\u003e\n\u003cth width=\"20%\"\u003eVersion\u003c\/th\u003e\n\u003cth width=\"20%\"\u003e\u003c\/th\u003e\n\u003cth width=\"20%\"\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"host-row-odd\"\u003e\n\u003ctd class=\"host\"\u003eAvid Sibelius\u003c\/td\u003e\n\u003ctd\u003e2018.1+\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"host-row-even\"\u003e\n\u003ctd class=\"host\"\u003eMakeMusic Finale\u003c\/td\u003e\n\u003ctd\u003e25.0+\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"host-row-even\"\u003e\n\u003ctd class=\"host\"\u003eSteinberg Dorico\u003c\/td\u003e\n\u003ctd\u003e3.0+\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul class=\"bulleted\"\u003e\n \t\u003cli\u003e(1) VST3 usage is recommended\u003c\/li\u003e\n \t\u003cli\u003e(2) \u003cstrong\u003eSibelius\u003c\/strong\u003e \/ \u003cstrong\u003eFinale\u003c\/strong\u003e \/ \u003cstrong\u003eDorico\u003c\/strong\u003e notation programs work with Opus, but do not support the full feature set of some Opus\/Play Libraries, such as those that use WordBuilder. Please contact support for details.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"EastWest Sounds","offers":[{"title":"Default Title","offer_id":53995672240457,"sku":"EU-1181-28","price":69.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0818\/2385\/9017\/files\/1181-28.webp?v=1772969422"},{"product_id":"us-eastwest-sounds-fab-four","title":"FAB FOUR","description":"FAB FOUR is a virtual instrument inspired by the sounds of the Beatles, using the same kind of period instruments \u0026amp; authentic rare EMI recording equipment the Beatles used to create their music.\nFAB FOUR sound engineer KEN SCOTT worked on five Beatles albums, including \"A Hard Days Night\", \"Help\", \"Rubber Soul\", \"Magical Mystery Tour\" (engineer) \u0026amp; \"The Beatles\" (engineer) - also known as the \"White Album\". Drummer DENNY SEIWELL Guitarist LAURENCE JUBER were both members of Paul McCartney \u0026amp; Wings.\n\"The Beatles had a profound impact on me, as they did for millions of others\" said FAB FOUR producer DOUG ROGERS, \"they were the initial influence for my fascination with sounds. They were creative geniuses that never rested on their laurels, always producing exciting new music \u0026amp; sounds with each new record, much of it ground-breaking! Putting this project together took well over a year of research, equipment procurement (much of it from collectors) \u0026amp; putting together a team that could pull off such a feat; but it was a labor of love for us all, we feel the result is truly worth it.\"\nNo expense was spared finding the same kind of period instruments \u0026amp; rare authentic EMI \u0026amp; other recording equipment the Beatles used to create their sounds to produce this collection, much of which, ironically, will end up in EASTWEST Studios, where the Beach Boys \"Pet Sounds\" was recorded, the inspiration for the Beatles \"Sgt. Pepper`s Lonely Hearts Club Band\" album, according to Paul McCartney.\nWell over a million dollars worth of instruments, amplifiers, microphones, recording desks (including very rare EMI REDD tube TG12345 desks), outboard equipment (including Fairchild limiters \u0026amp; EMI RS124 modified Altec compressors) \u0026amp; Studer J-37 tube multi-tracks were used in this production. If you are a film\/tv\/game composer, a musician\/producer looking for sounds not found in other collections, this is it. Blending these unique sometimes bizarre sounds with today`s music should enable you to produce something truly fab!\nI\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n \t\u003cli\u003eProduced by DOUG ROGERS\u003c\/li\u003e\n \t\u003cli\u003eEngineered by KEN SCOTT (Beatles\/David Bowie\/Elton John\/Supertramp etc.)\u003c\/li\u003e\n \t\u003cli\u003eIncludes authentic rare period guitars (acoustic and electric), basses, drums, keyboards, stringed and other misc instruments\u003c\/li\u003e\n \t\u003cli\u003eThe same kind of microphones were used to record all instruments (Neumann\/AKG\/Cole\/STC)\u003c\/li\u003e\n \t\u003cli\u003eThe same kind of period amplifiers - Fender Tan Showman (1963), Fender Bassman (1963), Vox AC30 (1963), Vox AC50 (1965), Vox Defiant (1966), Vox 730 (1966), Vox 7120 (1966), Fender Showman (1967), Fender DeLuxe (1967) - were used with the electric guitars\u003c\/li\u003e\n \t\u003cli\u003eThe same kind of recording desks and preamps, including a very rare EMI REDD tube desk, EMI TG12345 desk (the same kind of desk used to record \"Abbey Road\" and Pink Floyd's \"Dark Side of the Moon\"), and EMI REDD47 preamps, were used to record all instruments\u003c\/li\u003e\n \t\u003cli\u003eThe same kind of limiters (Fairchild) and compressors (rare EMI RS124 modified Altec) were used for dynamics control\u003c\/li\u003e\n \t\u003cli\u003eThe same kind of Studer J-37 tube 4-track was used to record everything\u003c\/li\u003e\n \t\u003cli\u003eGuitars (some costing over $200,000 each) played by LAURENCE JUBER (Paul McCartney and Wings) include Gretsch Firebird (1959), Gretsch Tennessean (1963), Rickenbacker 360-12 (1965), Martin D-28 (1966), Fender Stratocaster (1956), Epiphone Casino (1965), Fender Telecaster (1951), Gibson SG (1960), Les Paul Goldtop (1957), Gibson J200 (1966), Hofner 500 Bass (1963) and Rickenbacker 4001S Bass (1964).\u003c\/li\u003e\n \t\u003cli\u003eGuitars were sampled with up and down strokes, multiple velocities and picking styles, some with chords and effects\u003c\/li\u003e\n \t\u003cli\u003eMost of the sounds would be impossible to create without all of the above equipment. For example, the \"revostortion\" guitar sound was created by feeding a Epiphone Casino guitar into one EMI REDD 47 preamp, and the output into a second EMI REDD 47 preamp, which is exactly how it was created originally by the EMI\/Abbey Road engineers\u003c\/li\u003e\n \t\u003cli\u003eDrums played by DENNY SEIWELL (Paul McCartney and Wings) include a rare 1960 Ludwig downbeat kit with Zildjian cymbals (snare 5 x 14\/toms 9 x 13\/16 x 16\/kick 22 x 14\/zildjan 20\" crash ride\/18\" crash medium\/14\" Hi-Hat)\u003c\/li\u003e\n \t\u003cli\u003eDrums are all multi-sampled with up to 16 velocity layers, left and right hand. The sounds were all matched to a particular style (e.g. A Day in the Drums, Ticket to Drums, Yer Drums). We even recorded some heavily modulated cymbals through a Fairchild limiter for authenticity\u003c\/li\u003e\n \t\u003cli\u003eKeyboards include Baldwin Electric Harpsichord (Because I'm a Harpsichord), Clavioline (Baby I'm a Clavioline), Lucy in the Lowery, Strawberry Flutes, We Can Work a Harmonium, and other stringed instruments including Swarmandel Forever\u003c\/li\u003e\n \t\u003cli\u003eFAB FOUR includes a software version of ADT (artificial double tracking) with built-in tape simulator, created and programmed specially for this project. The software includes the smoothest filters you'll ever hear, delay, and multiple high quality reverb choices.\u003c\/li\u003e\n\u003c\/ul\u003e\n \n\u003ch2\u003eVideo\u003c\/h2\u003e\n[embed]https:\/\/www.youtube.com\/watch?v=aUrkaPOzTsc[\/embed]\n\u003ch2\u003eSystem Requirements for Eastwest FAB FOUR\u003c\/h2\u003e\nBelow are the minimum and recommended hardware and software specifications for using Opus on Windows and MacOS systems.\n\u003ctable id=\"system-requirements\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp class=\"title\"\u003e\u003cstrong\u003eMINIMUM SYSTEM\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul class=\"bulleted\"\u003e\n \t\u003cli\u003eCPU: Quad-core (four cores), running at 2.7 GHz (or above)\u003c\/li\u003e\n \t\u003cli\u003eRAM: 16 GB\u003c\/li\u003e\n \t\u003cli\u003eOS: macOS 10.13 (or later); Windows 10 with ASIO sound drivers\u003c\/li\u003e\n \t\u003cli\u003eDrive: HDD (7200 rpm, non-energy saving)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp class=\"title\"\u003e\u003cstrong\u003eRECOMMENDED SYSTEM\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul class=\"bulleted\"\u003e\n \t\u003cli\u003eCPU: Octa-core (eight cores), running at 2.7 GHz (or above)\u003c\/li\u003e\n \t\u003cli\u003eRAM: 32 GB or more\u003c\/li\u003e\n \t\u003cli\u003eOS: macOS 10.13 (or later); Windows 10 with ASIO sound drivers\u003c\/li\u003e\n \t\u003cli\u003eDrive: SSD (SATA or PCIe)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\nThe chart below outlines the MacOS and Windows 64-bit operating systems and sequencers that are officially supported and fully tested with the latest version of Opus. Please note that while most Sequencers \/ DAWs are VST 2, VST 3, AU and AAX plug-in format compatible, only those listed in the chart below are officially supported.\n\u003ctable class=\"tableify\" cellspacing=\"0\" cellpadding=\"10\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"table-chart-heading\"\u003e\n\u003cth\u003eProduct\u003c\/th\u003e\n\u003cth width=\"20%\"\u003eVersion\u003c\/th\u003e\n\u003cth width=\"20%\"\u003eMacOS (10.13+)\u003c\/th\u003e\n\u003cth width=\"20%\"\u003eWindows 10\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"host-row-even\"\u003e\n\u003ctd class=\"host\"\u003eEW Play 6 Stand-Alone\u003c\/td\u003e\n\u003ctd\u003e6.0+\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"host-row-odd\"\u003e\n\u003ctd class=\"host\"\u003eEW Opus Stand-Alone\u003c\/td\u003e\n\u003ctd\u003e1.0+\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"host-row-even\"\u003e\n\u003ctd class=\"host\"\u003eAbleton Live\u003c\/td\u003e\n\u003ctd\u003e10.0+\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"host-row-odd\"\u003e\n\u003ctd class=\"host\"\u003eApple Logic Pro\u003c\/td\u003e\n\u003ctd\u003e10.0+\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003ctd\u003e-\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"host-row-even\"\u003e\n\u003ctd class=\"host\"\u003eApple Garageband\u003c\/td\u003e\n\u003ctd\u003e10.3+\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003ctd\u003e-\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"host-row-odd\"\u003e\n\u003ctd class=\"host\"\u003eAvid Pro Tools\u003c\/td\u003e\n\u003ctd\u003e2018.1+\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"host-row-even\"\u003e\n\u003ctd class=\"host\"\u003eBitwig Studio\u003c\/td\u003e\n\u003ctd\u003e3.0+\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"host-row-odd\"\u003e\n\u003ctd class=\"host\"\u003eCockos Reaper\u003c\/td\u003e\n\u003ctd\u003e6.0+\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"host-row-even\"\u003e\n\u003ctd class=\"host\"\u003eImage-Line FL Studio\u003c\/td\u003e\n\u003ctd\u003e20+\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"host-row-odd\"\u003e\n\u003ctd class=\"host\"\u003eMotu Digital Performer\u003c\/td\u003e\n\u003ctd\u003e9.0+\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"host-row-even\"\u003e\n\u003ctd class=\"host\"\u003eSteinberg Cubase\u003cspan class=\"note-index\"\u003e(1)\u003c\/span\u003e\n\u003c\/td\u003e\n\u003ctd\u003e9.0+\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"host-row-even\"\u003e\n\u003ctd class=\"host\"\u003eSteinberg Nuendo\u003cspan class=\"note-index\"\u003e(1)\u003c\/span\u003e\n\u003c\/td\u003e\n\u003ctd\u003e8.0+\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"host-row-odd\"\u003e\n\u003ctd class=\"host\"\u003ePresonus Studio One\u003c\/td\u003e\n\u003ctd\u003e4.0+\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"host-row-even\"\u003e\n\u003ctd class=\"host\"\u003eVSL Vienna Ensemble Pro\u003c\/td\u003e\n\u003ctd\u003e6.0+\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable class=\"tableify\" cellspacing=\"0\" cellpadding=\"10\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"table-chart-heading\"\u003e\n\u003cth\u003eNotation Software\u003cspan class=\"note-index\"\u003e(2)\u003c\/span\u003e\n\u003c\/th\u003e\n\u003cth width=\"20%\"\u003eVersion\u003c\/th\u003e\n\u003cth width=\"20%\"\u003e\u003c\/th\u003e\n\u003cth width=\"20%\"\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"host-row-odd\"\u003e\n\u003ctd class=\"host\"\u003eAvid Sibelius\u003c\/td\u003e\n\u003ctd\u003e2018.1+\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"host-row-even\"\u003e\n\u003ctd class=\"host\"\u003eMakeMusic Finale\u003c\/td\u003e\n\u003ctd\u003e25.0+\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"host-row-even\"\u003e\n\u003ctd class=\"host\"\u003eSteinberg Dorico\u003c\/td\u003e\n\u003ctd\u003e3.0+\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003ctd\u003eYES\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul class=\"bulleted\"\u003e\n \t\u003cli\u003e(1) VST3 usage is recommended\u003c\/li\u003e\n \t\u003cli\u003e(2) \u003cstrong\u003eSibelius\u003c\/strong\u003e \/ \u003cstrong\u003eFinale\u003c\/strong\u003e \/ \u003cstrong\u003eDorico\u003c\/strong\u003e notation programs work with Opus, but do not support the full feature set of some Opus\/Play Libraries, such as those that use WordBuilder. Please contact support for details.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"EastWest Sounds","offers":[{"title":"Default Title","offer_id":53995675451721,"sku":"US-1181-28","price":69.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0818\/2385\/9017\/files\/1181-28_58fdd07e-a954-473f-9302-ebb3191e7556.webp?v=1772969426"}],"url":"https:\/\/pluginsmasters.com\/collections\/eastwest-sounds-fab-four.oembed","provider":"PluginsMasters","version":"1.0","type":"link"}